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Free for Commercial Use

Inline Ukni 6 is a very bold, narrow, very high contrast, upright, tall x-height font visually similar to 'Alumni' by TypeSETit (names referenced only for comparison).

Keywords: posters, headlines, signage, logotypes, packaging, western, vintage, carnival, industrial, poster, showmanship, retro signage, engraved effect, compact impact, decorative headline, stencil-like, blocky, inline detail, rounded corners, flared terminals.


Free for commercial use
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A condensed, heavy display face built from chunky, squared letterforms with slightly rounded corners and occasional wedge-like flares at terminals. Each glyph is rendered as a solid silhouette with a thin inline “carved” path running through the interior, plus a light edge highlight that gives a dimensional, sign-painted feel. Counters are compact and the rhythm is tightly packed, with simple geometric construction (boxy bowls, flat-sided stems) and selective curvature in O/C/G and the lowercase rounds. Numerals follow the same bold, compact logic, with prominent interior cut-ins that keep forms readable at large sizes.

Best suited to display settings such as posters, event titles, product packaging, menus, and signage where strong silhouette and decorative inline detail can read clearly. It also works well for logotypes and badges that want a vintage or western flavor, especially in single words or short lines.

The overall tone is theatrical and old-timey, evoking western posters, fairground signage, and vintage headlines. The inline engraving detail adds a crafted, ornamental energy that feels bold, showy, and a bit retro-industrial rather than minimalist or contemporary.

The design appears intended to deliver maximum impact in a tight width, combining bold slabby construction with an inline engraving effect to mimic classic printed posters and dimensional sign lettering. It prioritizes attention-grabbing texture and personality over neutral text readability.

Stroke joins and interior inlines create a consistent engraved/outlined illusion across uppercase, lowercase, and figures, helping large text feel textured without becoming overly ornate. The condensed proportions make it impactful in short bursts, while the busy interior detailing suggests avoiding very small sizes where the inline can visually fill in.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸