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Serif Contrasted Tida 2 is a very bold, wide, very high contrast, upright, normal x-height font visually similar to 'Poster Bodoni' and 'Poster Bodoni WGL' by Bitstream, 'New Bodoni DT' by DTP Types, 'Bodoni No. 1 SH' by Scangraphic Digital Type Collection, 'Bodoni Serial' by SoftMaker, 'Poster Bodoni' by Tilde, 'TS Bodoni' by TypeShop Collection, and 'Bodoni' and 'Bodoni Antiqua' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, editorial, posters, branding, packaging, dramatic, luxurious, theatrical, classical, impact, elegance, heritage, prestige, display, vertical stress, hairline serifs, sharp joins, sculpted curves, crisp terminals.


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A sculptural display serif with pronounced thick–thin modulation and vertical stress. The capitals are broad and stately, with crisp, fine serifs and sharply cut transitions into heavy main strokes. Curves are smooth and swelling, counters tend toward compact, and joins often pinch to hairlines, creating a strong chiaroscuro rhythm. Lowercase forms keep a traditional structure with sturdy stems and delicate finishing details, while the figures follow the same high-contrast logic for a cohesive, emphatic texture in setting.

Best used for headlines, magazine mastheads, campaign posters, and brand marks where dramatic contrast and presence are desirable. It can also work for short subheads, pull quotes, and luxury-leaning packaging, particularly when set with generous tracking and ample size.

The overall tone is commanding and elegant, combining classical letterform cues with a bold, poster-like punch. It reads as sophisticated and slightly theatrical—well-suited to attention-grabbing statements that still want refinement.

The design appears intended to deliver a classic high-fashion/print-editorial voice with maximum impact, using exaggerated contrast and refined hairline details to create a premium, attention-forward look.

In text, the strong contrast and fine hairlines create a vivid sparkle, especially at larger sizes where the tapered joins and delicate serifs can be appreciated. The design’s heavy verticals and tight apertures produce a dense, high-impact color, making spacing and size key to preserving clarity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸