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Sans Superellipse Pimuh 7 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Sharp Grotesk Latin' and 'Sharp Grotesk Paneuropean' by Monotype (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, editorial display, condensed, assertive, industrial, poster-ready, no-nonsense, space-saving impact, modern utility, headline emphasis, blocky, compact, high-impact, vertical, rounded corners.


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A compact, tightly condensed sans with heavy, uniform stroke weight and a strong vertical emphasis. Curves resolve into rounded-rectangle (superellipse-like) bowls and counters, giving O/C/G-style forms a soft-cornered, blocky geometry rather than circular construction. Terminals are flat and squared-off, with minimal modulation, and many joins feel firmly engineered, producing a sturdy, compressed texture. The lowercase mirrors the uppercase’s narrow proportions and tall x-height, with single-storey a and g and compact apertures that keep the silhouette dense. Numerals follow the same condensed, thick-set build for consistent color in headlines.

This font is best suited to high-impact display settings such as headlines, posters, event graphics, and bold brand marks where condensed width helps fit more characters without losing presence. It can also work well on packaging or editorial feature type when short lines need a strong, compact voice.

The overall tone is bold and forceful, with a utilitarian, industrial flavor. Its compressed width and heavy mass create urgency and emphasis, reading as confident and attention-grabbing rather than delicate or conversational. The rounded-rectangle shaping adds a contemporary, slightly softened edge to an otherwise hard-working display voice.

The design appears intended to deliver maximum visual weight in minimal horizontal space while keeping shapes clean and modern. Rounded-rectangle curves and flat terminals suggest a goal of sturdy legibility and a contemporary industrial character for attention-focused typography.

Spacing appears tight and the internal counters are relatively small, which boosts impact at large sizes but can make long passages feel dense. The design maintains a consistent rhythm across caps, lowercase, and figures, creating a strong, poster-like typographic color when set in lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸