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Free for Commercial Use

Distressed Esba 4 is a bold, normal width, high contrast, upright, normal x-height font visually similar to 'Aftika' by Graphite, 'Gotham' by Hoefler & Co., and 'Manifestor' by Stawix (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, apparel, rugged, industrial, retro, handmade, playful, aged print, tactile texture, bold impact, friendly ruggedness, rounded, blunt, chunky, stenciled, scuffed.


Free for commercial use
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A heavy, rounded sans with broad, blunt terminals and compact proportions. The letterforms are built from simple geometric shapes—circular counters, sturdy verticals, and wide bowls—while maintaining clean, upright construction and an even, poster-ready rhythm. A consistent scuffed/eroded texture is cut into the black strokes, creating speckled voids and worn edges that read like ink loss or weathered printing. Uppercase forms are bold and stable, while the lowercase stays simple and sturdy with a single-storey a and a round, open e; numerals match the same chunky, rounded construction.

Best suited for short, high-impact settings such as posters, titles, badges, branding marks, packaging callouts, and apparel graphics where the distressed texture can be appreciated. It also works well for event promos, craft/DIY themes, and any design needing a rugged printed feel without sacrificing bold readability.

The overall tone is tough and tactile, evoking stamped packaging, workshop signage, and well-worn labels. The distressing adds an aged authenticity, while the rounded geometry keeps it friendly and approachable rather than aggressive. It feels energetic and informal, with a clear handcrafted, print-driven character.

The design appears intended to combine a straightforward, geometric display sans with a deliberately worn overlay, producing a strong silhouette that still communicates a tactile, imperfect print aesthetic. It aims to deliver instant impact and personality for display typography while keeping forms familiar and easily readable.

The texture is prominent enough to become part of the design, so large sizes emphasize the grain and wear, while smaller sizes may visually fill in or look noisier depending on reproduction. The wide, rounded counters help maintain legibility despite the distressed breakup.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸