Sans Faceted Fuza 10 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Nodami' by Peninsula Studioz (names referenced only for comparison).
Keywords: posters, logotypes, headlines, album art, game titles, gothic, edgy, aggressive, underground, retro, impact, edginess, modern gothic, texture, motion, angular, faceted, chiseled, broken, jagged.
A sharply angular, faceted display face built from straight strokes and clipped corners in place of curves. The letterforms lean forward with a consistent rightward slant, and terminals often end in wedge-like cuts that create a carved, chiseled impression. Counters are small and polygonal, with many characters showing broken, segmented joins that add texture and tension. Stroke thickness stays fairly even, while the overall silhouettes vary in width, producing an irregular rhythm that feels intentionally rough-hewn rather than geometric.
Best suited to display sizes where the angular cuts and polygonal counters can be appreciated—posters, cover art, branding marks, titles, and punchy headlines. It can also work for short, high-impact lines on packaging or event graphics, but the busy interior shapes make it less comfortable for extended reading at small sizes.
The tone is hard-edged and confrontational, evoking blackletter energy translated into a modern, angular construction. Its forward lean and serrated cuts give it urgency and motion, while the faceting adds a cold, metallic attitude. Overall it reads as gritty, rebellious, and suited to loud, statement-driven typography.
The design appears intended to deliver a modernized gothic/blackletter attitude using planar facets and slanted, wedge-ended strokes, prioritizing impact and texture over neutrality. The variable silhouettes and broken joins suggest a deliberate effort to feel hand-cut and energetic while remaining structurally consistent across the alphabet.
In the sample text, the dense shapes and tight internal spaces build strong color on the line, with diagonals and notched corners becoming the primary identifying features. The numerals follow the same faceted logic, keeping the set visually cohesive for headings and short callouts.