Sans Superellipse Vebak 12 is a light, very wide, monoline, upright, normal x-height font.
Keywords: ui labels, tech branding, headlines, product design, motion graphics, futuristic, technical, minimal, sleek, geometric, modernization, systematic design, screen clarity, sci-fi tone, geometric consistency, rounded corners, squared curves, extended, open counters, single-storey.
This typeface is built from softly squared, superelliptic forms with rounded corners and largely uniform stroke weight. Curves resolve into straight segments often, creating rounded-rectangle bowls in letters like O, D, P, and Q, while terminals are clean and typically flat or gently rounded rather than tapered. Proportions are notably extended horizontally, giving wide letterforms and generous interior space; counters stay open and legible even in tighter shapes. The lowercase shows a single-storey a and g, a compact, rounded-shoulder m/n, and a simple, geometric construction throughout. Numerals follow the same rounded-rect geometry, with a segmented, streamlined feel in figures like 2, 3, and 5.
It works well for UI labels, dashboards, device screens, and technical branding where a geometric, contemporary voice is needed. The wide proportions and clean strokes also suit short headlines, packaging, product marks, and on-screen graphics where distinctive silhouettes help recognition at medium-to-large sizes.
The overall tone is modern and tech-forward, with a calm, engineered precision. Rounded corners keep it friendly, but the squared curves and extended width make it feel like interface lettering and sci‑fi labeling rather than casual signage. It reads as clean, controlled, and contemporary.
The design appears intended to translate rounded-rectangle geometry into a functional, modern sans with a distinctive extended stance. It prioritizes clarity and consistency of shape language, aiming for a system-like aesthetic that feels engineered while remaining approachable through softened corners.
Distinctive details include the squared, rounded-corner C/S/E constructions, the rectangular O/0-like silhouettes, and a Q with a minimal tail that preserves the geometric bowl. Diagonals (V, W, X, Y, Z) are crisp and contrast nicely against the mostly orthogonal rhythm, reinforcing a structured, modular look.