Sans Superellipse Vamoh 2 is a regular weight, very wide, monoline, upright, normal x-height font.
Keywords: branding, headlines, ui, signage, posters, futuristic, tech, clean, geometric, playful, modernize, digitize, soften geometry, display clarity, brand character, rounded, squared, modular, soft corners, open counters.
A rounded, geometric sans built from superelliptic curves and rounded-rectangle strokes. The design is monoline with consistently softened corners and a boxy, modular skeleton that keeps curves broad and controlled. Many forms use flattened arcs and squared bowls (notably in C, G, O, and the lowercase a/e), producing wide, open counters and a steady, engineered rhythm. Joins are smooth and deliberate, terminals are generally blunt or gently radiused, and the overall spacing feels airy due to the wide proportions and simple stroke logic.
This design performs best in display contexts where its wide stance and geometric construction can read clearly—such as branding, product identities, posters, and signage. It also suits UI and interface headings, dashboards, and tech-oriented editorial layouts where a clean, futuristic flavor is desired. For longer text, it’s likely most effective in short bursts (titles, labels, navigation) where its distinctive shapes remain crisp and legible.
The font conveys a contemporary, tech-forward tone with a friendly edge. Its rounded-square geometry feels digital and futuristic, yet the softened corners keep it approachable rather than harsh. The overall impression is sleek, minimal, and slightly playful—well suited to modern interfaces and sci‑fi or electronic aesthetics.
The likely intention is to create a modern superellipse-driven sans that feels engineered and digital, balancing strict geometry with softened corners for approachability. Its consistent stroke system and modular forms suggest an emphasis on clarity, contemporary styling, and recognizable, futuristic character in larger sizes.
Distinctive details include the squared, rounded-rectangle bowls in letters like D, P, and R, and the single-storey lowercase a with a rectangular counter. The numerals follow the same rounded-square construction, giving the set a consistent, display-oriented personality. The broad proportions emphasize horizontality and can make lines feel expansive, especially in headline settings.