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Sans Superellipse Ogdij 4 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Black Square' by Agny Hasya Studio, 'Hanley Pro' by District 62 Studio, 'Neusa Neu' by Inhouse Type, 'Bantat' by Jipatype, 'Sans Beam' by Stawix, and 'Obvia Wide' by Typefolio (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, techy, friendly, modern, retro-futurist, confident, impact, clarity, modernity, friendliness, systematic, rounded, chunky, soft-cornered, compact, geometric.


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A heavy, rounded sans with superellipse construction: curves and counters read as softened rectangles, and terminals tend to end in clean, squared-off cuts with generous corner radii. Strokes stay consistently thick with minimal modulation, creating a steady, blocky rhythm and strong color on the page. Apertures are somewhat tight and counters are rounded-rectangular, giving letters like C, G, and S a compact, engineered feel. Numerals follow the same geometry, with the 0 as a rounded rectangle and the 1 built from a simple vertical with a small top flag.

Best suited to display roles where its strong, rounded geometry can carry personality—headlines, posters, logos, packaging, and wayfinding or on-screen interface titles. It also works well for short blocks of copy, labels, and callouts where high visual presence is an advantage.

The overall tone is contemporary and tech-forward, but with approachable softness from the rounded corners. It balances utilitarian signage energy with a playful, game-UI friendliness, making it feel confident without becoming harsh.

The design appears intended to translate a geometric, rounded-rectangle aesthetic into a robust everyday sans, prioritizing high impact, clear silhouette, and a cohesive tech-industrial character. Its softened corners and stable stroke weight suggest a goal of combining modernity with a friendly, accessible voice.

At text sizes the dense stroke weight and tighter internal spaces can make long paragraphs feel heavy, while larger settings emphasize the distinctive rounded-rectangle silhouette. The design’s consistency across caps, lowercase, and figures supports a cohesive, system-like look in mixed typography.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸