Sans Superellipse Folil 3 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Neusa Neu' by Inhouse Type, 'Danos' by Katatrad, 'Nusara' by Locomotype, and 'Scatio' by Wahyu and Sani Co. (names referenced only for comparison).
Keywords: headlines, branding, posters, sportswear, packaging, sporty, confident, modern, dynamic, friendly, impact, speed, modernity, approachability, slanted, rounded, compact, smooth, punchy.
A heavy, right-slanted sans with rounded, superelliptical construction and smooth, low-contrast strokes. Curves are generously softened and terminals tend to be blunt, producing sturdy, compact counters and a dense overall color. The italic is clearly engineered rather than calligraphic, with consistent stroke modulation and a steady, forward-leaning rhythm. Numerals and capitals follow the same rounded-rectangle logic, keeping forms cohesive and highly uniform across the set.
Well suited to headlines, brand marks, advertising, and packaging where a strong, forward-leaning voice is desirable. It can also work for sports and tech-oriented identities, event graphics, and social media creatives that need compact, high-impact lettering. For long-form text, it will be most comfortable at larger sizes due to its dense weight and tight internal spaces.
The tone is energetic and assertive, with a contemporary, performance-oriented feel. Rounded corners keep it approachable, while the strong slant and weight add speed and confidence. Overall it reads as modern and purposeful rather than delicate or formal.
The letterforms appear intended to deliver a fast, modern sans voice with softened geometry—combining an athletic slant and strong presence with rounded, friendly shaping. The consistent superelliptical construction suggests a focus on coherence and repeatable geometry across the alphabet for dependable branding and display use.
The design maintains consistent corner radii and curvature across letters, giving text a tightly integrated texture. Round letters (like O/C/G) appear more like softened rectangles than circles, and diagonals (A/V/W/X/Y) feel stable and engineered. This combination makes the face visually impactful in short bursts and maintains clarity at medium display sizes.