Slab Contrasted Ugha 3 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Artegra Slab' by Artegra, 'Publica Slab' by FaceType, 'Nexa Slab' by Fontfabric, 'Choplin' by René Bieder, and 'Pepi/Rudi' by Suitcase Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, sturdy, retro, friendly, punchy, impact, nostalgia, legibility, solidity, display, blocky, bracketed, weighty, ink-trap feel, soft corners.
A heavy, chunky slab serif with broad proportions and dense, dark color. Stems are thick and steady, with softly bracketed slabs that read as sturdy rather than sharp. Counters are relatively compact for the weight, and the overall rhythm feels intentionally blocky, with rounded interior curves and occasional notch-like joins that hint at ink-trap behavior. Lowercase forms are robust and open enough to stay legible at display sizes, while the numerals match the same bold, squared-off presence.
Best suited for headlines, posters, packaging, and brand marks where a bold slab serif can provide instant impact. It also works well for signage and short editorial callouts, especially when paired with simpler body text to balance its heavy, blocky color.
The tone is confident and dependable, with a retro, workmanlike voice that feels at home in classic American display typography. Its mass and friendly curves create an assertive but approachable personality, suited to messages that need to land with immediacy and warmth rather than elegance.
The design appears intended to deliver maximum presence with a classic slab-serif structure, emphasizing durability, readability, and a nostalgic display feel. Its broad shapes, bracketed slabs, and compact counters suggest a focus on strong imprinting in print and bold, attention-getting typography.
In text, the font produces strong horizontal emphasis from its slabs and a consistent, poster-like texture. The weight and compact counters make it most comfortable when given generous tracking and line spacing, where the distinctive slab shapes and rounded joins can breathe.