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Free for Commercial Use

Serif Other Vity 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'AC 1928' by Antoine Crama, 'Neilvard' by Arterfak Project, 'Boardwalk Avenue' by Fenotype, 'Hoektand' by Frantic Disorder, 'Krunchie' by Joe Hewitt Design, 'The Pincher Brothers' by Larin Type Co, 'Nostalgia Collective' by RagamKata, and 'Plathorn' by insigne (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, logotypes, vintage, stately, collegiate, editorial, classic, heritage feel, strong impact, display readability, brand character, bracketed, ball terminals, soft corners, display, heavy.


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A heavy, rounded serif with compact proportions and a sturdy, ink-rich texture. Serifs are clearly present and often bracketed, with subtly flared, softened terminals that give strokes a carved, slightly cushioned feel rather than sharp precision. Counters are relatively tight and apertures lean closed, creating strong color on the page and high impact at larger sizes. The overall rhythm is steady and traditional, with smooth curves, minimal stroke modulation, and small details like bulb-like terminals and gentle notches that add a decorative, old-style character.

Best suited to headlines, posters, and branding where a strong, traditional serif voice is needed. It works well on packaging and labels that benefit from a heritage or craft feel, and can be effective for logotypes and wordmarks that need weight and presence. For extended small-size text, its dense color and tight counters may require generous sizing and spacing.

The tone is classic and confident, evoking vintage print, collegiate signage, and heritage branding. Its bold presence feels authoritative and dependable, with a warm, slightly nostalgic friendliness coming from the rounded joins and softened terminals.

The design appears intended to deliver a bold, classic serif look with added character through softened, bracketed serifs and decorative terminal shapes. It prioritizes recognizability and a vintage editorial/branding mood, aiming for strong impact and a familiar, time-tested atmosphere.

The figures and uppercase forms read as robust and emblematic, while the lowercase keeps a compact, weighty texture that favors impact over airiness. The distinctive terminal treatments and tight counters make it especially recognizable in short phrases and titling.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸