Hollow Other Itbu 14 is a bold, normal width, medium contrast, upright, tall x-height font.
Keywords: headlines, posters, logos, packaging, stickers, playful, retro, bubbly, graphic, toy-like, decorative display, graphic texture, retro signaling, attention grabbing, rounded, outlined, inline, layered, monolinear.
A rounded, all-caps friendly display with soft corners and a consistent tubular construction. Each glyph is built from a thick outer outline with multiple concentric inline contours, producing a layered, hollow look and a strong optical rhythm. Strokes maintain largely even thickness and smooth curvature, while joins and terminals are blunted and highly rounded. Letterforms are generally compact with generous internal counters, and the repeated inline detailing creates a distinct sense of depth and motion across both uppercase and lowercase.
Best suited to short, high-impact text such as headlines, posters, brand marks, and product packaging where the layered outlines can be appreciated. It works well for playful signage, kids or hobby-oriented graphics, and retro-inspired editorial callouts. For body copy or small UI sizes, the internal contours may become visually dense, so larger settings are recommended.
The concentric outlines give the face a buoyant, novelty-signage feel that reads as upbeat and attention-seeking. Its graphic layering evokes retro packaging and playful headline typography, with a lighthearted tone that feels more decorative than formal. The overall impression is energetic, friendly, and slightly whimsical.
The design appears intended as a decorative outline display that turns letterforms into graphic objects through repeated inline contours. By combining soft, rounded geometry with a layered hollow structure, it aims to deliver instant personality and a distinctive texture in titles and branding.
The multi-stroke inline treatment is the dominant visual feature and can create shimmering texture in longer words, especially at smaller sizes. Simpler shapes like O/0 remain very legible, while busier forms (such as S, B, and complex diagonals) become more pattern-forward, emphasizing style over neutrality.