Sans Normal Endip 2 is a very light, normal width, low contrast, upright, normal x-height font visually similar to 'Neue Helvetica Armenian' and 'Neue Helvetica Georgian' by Linotype, 'Helvetica Now' by Monotype, 'Europa Grotesk No. 2 SB' and 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection, and 'Nimbus Sans Novus' and 'Nimbus Sans Round' by URW Type Foundry (names referenced only for comparison).
Keywords: ui labels, editorial text, presentations, corporate branding, signage, clean, modern, neutral, airy, precise, clarity, minimalism, modern utility, refined tone, monoline, geometric, rounded, open counters, generous spacing.
This is a monoline sans with a crisp, geometric skeleton and smoothly rounded curves. Strokes are consistently thin, with open counters and unobtrusive joins that keep letterforms clear at text sizes. Capitals are straightforward and restrained, while the lowercase shows a simple double-storey “a” and a single-storey “g,” reinforcing a contemporary, functional rhythm. Numerals are similarly clean and even, with rounded bowls and minimal ornamentation, and overall spacing reads slightly generous for a light, uncluttered texture.
It suits interface labels, dashboards, and settings where a light, clean tone is desired, and it also performs well in editorial layouts and presentations that prioritize a refined, minimal look. In branding, it works for contemporary corporate identities and understated wordmarks, and it can serve in signage or wayfinding when sized and spaced for clarity.
The overall tone is calm, modern, and matter-of-fact, with an airy elegance that feels technical without becoming cold. It communicates clarity and restraint rather than personality-driven quirks, making it easy to pair with more expressive elements in a layout.
The design appears intended as a modern, lightweight workhorse: a neutral geometric sans that stays visually quiet while maintaining legibility through open forms and simple construction. Its consistent stroke behavior and restrained details suggest a focus on clean typography for everyday communication.
Round letters (C/O/Q) read very smooth and circular, and diagonals (V/W/X/Y) stay sharp and tidy, creating a consistent geometric voice. The thin stroke weight emphasizes whitespace, so it benefits from adequate size and contrast in use.