Sans Faceted Pomy 2 is a light, narrow, monoline, upright, normal x-height font.
Keywords: headlines, posters, logotypes, branding, signage, art deco, architectural, futuristic, esoteric, minimal, geometric styling, deco revival, display impact, architectural feel, angular, faceted, geometric, crisp, stylized.
This typeface is built from slender, consistent strokes with a distinctly faceted construction: curves are frequently resolved into straight segments and sharp corners, creating chiseled bowls and pointed joins. Proportions are compact and vertically oriented, with open counters and generous interior space where forms allow. Terminals often finish in angled cuts rather than soft rounds, and diagonals are prominent in letters like A, V, W, X, and Y, reinforcing a prismatic, planar rhythm. In text, the design maintains an even cadence while letting distinctive letterforms (notably G, Q, S, and the numerals) add a stylized, geometric texture.
Best suited to display contexts where its faceted geometry can be appreciated: headlines, poster typography, logotypes, and brand marks. It can also work for short UI labels or signage where a distinctive, architectural voice is desired, but it will be most effective when given space and size.
The overall tone feels Art Deco–leaning and architectural, with a futuristic, crafted character that suggests engraved signage or cut-metal lettering. Its sharp facets and airy stroke weight give it an elegant but slightly enigmatic presence, more expressive than neutral while staying clean and controlled.
The letterforms appear intended to translate familiar sans structures into a faceted, planar system—prioritizing a cohesive geometric style and a decorative, architectural flavor over strict neutrality. The consistent stroke and sharp terminals suggest an emphasis on crisp reproduction and a sculpted, modernist personality.
The numeral set follows the same faceted logic, with angular turns and open shapes that read clearly at display sizes. The design’s identity comes from its polygonal interpretation of traditionally curved forms, producing a consistent “cut” look across capitals, lowercase, and figures.