Sans Faceted Posy 11 is a regular weight, narrow, monoline, upright, normal x-height font.
Keywords: titles, posters, game ui, book covers, branding, runic, fantasy, mystical, primitive, edgy, thematic display, rune mimicry, inscribed look, graphic impact, angular, faceted, chiseled, wedge-cut, geometric.
A sharply faceted display sans built from monoline strokes and wedge-like terminals, where curves are frequently replaced by straight segments or pointed joins. Counters are often narrow and triangular or diamond-shaped, and many letters lean on diagonal cuts that create a carved, blade-like rhythm across words. Proportions feel condensed with tall caps, while lowercase forms echo the same angular construction and maintain clear, consistent stroke weight. Numerals follow the same pointed, cut-stone logic, with distinctive, stylized shapes that prioritize theme over neutral legibility.
Best suited to short-form display settings where its carved, rune-like texture can be appreciated: game titles and UI headings, fantasy or mythology book covers, posters, album art, and thematic branding for events or products. It can also work for logos and wordmarks when a sharp, inscribed aesthetic is desired and text length is limited.
The overall tone is evocative of runes, inscriptions, and fantasy world-building—dramatic, arcane, and slightly aggressive. Its pointed geometry reads as ritualistic and ornamental, suggesting ancient scripts translated into a modern, graphic Latin alphabet.
The design appears intended to translate the feeling of chiseled or rune-inspired lettering into a consistent, geometric Latin type system, emphasizing sharp facets and distinctive silhouettes over conventional smooth curves. It aims to deliver immediate thematic impact and a strong decorative voice while remaining structurally cohesive across uppercase, lowercase, and numerals.
Word shapes become highly characteristic due to repeated diagonal notches and sharp interior angles, which adds strong texture but can reduce readability at small sizes or in long paragraphs. The punctuation and apostrophe appear as simple, matching marks that keep the visual language consistent with the angular letterforms.