Sans Superellipse Geres 11 is a very bold, narrow, medium contrast, italic, tall x-height font visually similar to 'Beats' by 4RM Font, 'CF Blast Gothic' by Fonts.GR, and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: sports branding, posters, headlines, packaging, app promo, sporty, urgent, headline, dynamic, industrial, space saving, high impact, contemporary feel, motion emphasis, condensed, oblique, compact, rounded, blocky.
A condensed, heavy oblique sans with compact proportions and rounded-rectangle construction in its bowls and counters. Strokes are thick and confident with gently softened corners, producing a dense, punchy texture; joints and terminals tend to be blunt rather than tapered. The oblique slant is strong and consistent, and the overall rhythm stays tight, with small apertures and robust interior spaces that read as superelliptical rather than circular.
Best suited to short, high-impact text where a condensed footprint and strong slant help create momentum—sports identities, event posters, promotional graphics, and packaging callouts. It also works well for UI marketing moments (hero banners, app promos) where bold, compact emphasis is needed, but it is less appropriate for extended reading at small sizes due to its dense forms and tight apertures.
The overall tone is fast, assertive, and contemporary, evoking motion and impact. Its strong slant and compressed width give it a competitive, sporty energy, while the rounded geometry keeps the voice friendly enough to feel modern rather than harsh.
This design appears aimed at delivering maximum visual impact in minimal horizontal space, using a pronounced oblique angle and rounded-rect geometry to communicate speed and modernity. The consistent, blocky construction suggests an intention to stay legible and cohesive in large-scale, attention-driven typography.
The numeral set matches the same compact, heavy construction, with rounded counters and a forward-leaning stance that keeps figures cohesive in display settings. Uppercase forms are especially blocky and compact, while lowercase maintains a similarly sturdy, tightly packed silhouette for attention-grabbing lines.