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Serif Normal Momoy 5 is a bold, wide, very high contrast, upright, normal x-height font visually similar to 'Augustea' by Berthold, 'Chamberí' by Extratype, 'Benton Modern' by Font Bureau, 'Passenger Display' by Indian Type Foundry, 'Scotch' by Positype, and 'URW Antiqua' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, editorial, book covers, magazines, posters, authoritative, literary, formal, traditional, dramatic, impact, readability, classic tone, editorial voice, bracketed serifs, ball terminals, oldstyle figures, large x-height, teardrop joins.


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A high-contrast serif with sturdy, bracketed serifs and pronounced thick–thin modulation that reads strongly at display sizes. The letterforms lean on broad, rounded bowls and compact apertures, with a fairly tall lowercase and firm vertical stress. Terminals often finish in soft balls or teardrop-like forms (notably in lowercase), giving the curves a slightly calligraphic snap against the otherwise structured construction. Numerals appear oldstyle with varied heights and generous weight, matching the text rhythm and contributing to a classic page-color.

This face suits editorial headlines and subheads where strong contrast and a dark, classic texture are desirable. It can also work for book covers, magazine features, and poster typography that benefits from a traditional serif voice with extra weight and presence.

The overall tone is confident and traditional, with a literary, editorial flavor. Its bold presence and dramatic contrast lend it a slightly ceremonial feel, while the rounded joins and ball terminals add warmth and a touch of vintage charm.

The design appears intended to deliver a conventional serif reading experience while amplifying impact through contrast, weight, and expressive terminals. It aims for a familiar, authoritative foundation with enough distinctive detailing to stand out in display and editorial settings.

Spacing and rhythm feel tight and emphatic, producing a dense, dark texture in paragraphs. The uppercase carries a stately, engraved-like gravity, while the lowercase introduces more personality through rounded terminals and energetic curves, creating a lively headline-to-text interplay within the same style.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸