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Sans Normal Tilo 1 is a regular weight, wide, high contrast, upright, normal x-height font visually similar to 'MN Regraft' by Mantra Naga Studio (names referenced only for comparison).

Keywords: headlines, editorial, magazine, book display, posters, classic, formal, authoritative, literary, refined display, editorial authority, premium tone, classic voice, bracketed serifs, wedge terminals, teardrop terminals, calligraphic contrast, open counters.


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This typeface shows pronounced thick–thin contrast with crisp, tapered transitions and strongly modeled curves. Letterforms are built on wide, open shapes with generous counters and a steady horizontal rhythm, while vertical stems remain dominant and clean. Terminals frequently resolve into wedge-like or teardrop forms, giving strokes a chiseled, slightly calligraphic finish. The lowercase has clear, readable silhouettes with compact joins and a sturdy baseline presence, and the numerals are similarly bold and sculpted with sweeping curves and sharp entry/exit angles.

It performs especially well in headlines, decks, and pull quotes where its contrast and sculpted terminals can be appreciated. The open shapes and steady rhythm also support short-to-medium editorial text settings such as magazine features, book front matter, and formal announcements where a classic voice is desired.

Overall, the font communicates a traditional, editorial tone with a confident, authoritative voice. Its high-contrast modeling and sharp terminals add a sense of ceremony and sophistication, making it feel suited to established institutions and premium presentation.

The design appears intended to blend traditional, high-contrast letterform modeling with clean, contemporary construction for strong readability and a premium tone. It aims to deliver a confident display presence while remaining controlled and consistent enough for refined editorial typography.

In text, the wide proportions and open counters keep paragraphs from feeling cramped, while the strong contrast creates a lively texture that becomes increasingly prominent at larger sizes. The uppercase has a dignified, inscriptional feel, and the lowercase maintains clarity through distinct shapes and decisive terminals.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸