Sans Superellipse Vakub 8 is a regular weight, very wide, monoline, upright, tall x-height font.
Keywords: ui design, app branding, tech logos, headlines, signage, tech, futuristic, clean, geometric, friendly, modernization, interface clarity, tech aesthetic, geometric consistency, brand distinctiveness, rounded corners, soft-rectilinear, modular, open counters, low contrast.
A geometric sans built from squared-off curves and rounded rectangles, giving letters a superelliptical, soft-cornered silhouette. Strokes are consistently even with minimal contrast, and joins tend to be smooth and controlled rather than calligraphic. Rounds (O, C, G, 0) read as rounded rectangles, while straight-sided forms (E, F, H, N) keep a crisp, engineered feel. The lowercase shows a tall x-height with compact ascenders/descenders, and spacing feels generous and steady, supporting clear word shapes in text.
Well suited to UI and product design work where clarity and a contemporary voice are needed, including dashboards, device screens, wayfinding, and packaging. Its wide, rounded geometry also makes it effective for short headlines, brand marks, and tech-oriented marketing where a distinctive, engineered look is desirable.
The overall tone is modern and tech-forward, with a mild sci‑fi flavor coming from the rounded-rectangle geometry. Despite the futuristic structure, the softened corners keep it approachable and product-friendly rather than cold. It suggests digital interfaces, contemporary branding, and streamlined industrial design.
The design appears intended to translate a rounded-rectangle, digital-industrial geometry into a readable sans, balancing strict construction with softened corners for approachability. It prioritizes consistency of shape language across letters and numerals, aiming for a modern display-to-interface feel that stays clean at larger sizes and remains legible in setting.
Distinctive details include a single-storey “a,” a compact, squared “s,” and numerals that mirror the same rounded-rectangular construction, keeping the set visually consistent. The uppercase has a slightly schematic rhythm—especially in letters like C, G, and S—where open apertures and flattened curves emphasize clarity over traditional humanist modulation.