Sans Superellipse Ikmig 2 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'ATF Railroad Gothic' by ATF Collection, 'Acumin' by Adobe, 'Rice' by Font Kitchen, 'Tablet Gothic' by TypeTogether, and 'Ryman Gothic' by W Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, signage, bold, friendly, punchy, retro, confident, impact, approachability, retro display, branding, rounded, blocky, compact, soft corners, high impact.
A heavy, rounded sans with superellipse-like curves and squared-off terminals that create a compact, blocky silhouette. Strokes stay consistently thick with little modulation, and counters are relatively small, giving letters a dense, poster-ready color on the page. Round forms (C, O, G) feel more like rounded rectangles than circles, while joins and corners are smoothed rather than sharp. The lowercase shows sturdy, simplified shapes with a single-storey a and g, short ascenders/descenders, and wide, stable feet on letters like u and v.
Best suited to display settings where strong presence is needed: headlines, poster typography, brand marks, packaging callouts, and large-format signage. It can work for short subheads or captions when size is generous, but its dense counters and heavy texture are most effective when used for emphasis rather than long reading passages.
The tone is assertive and upbeat, combining softness from rounded corners with the authority of very heavy strokes. It reads as approachable rather than clinical, leaning toward a retro display feel that’s energetic and attention-grabbing. The overall rhythm is chunky and playful, making text feel loud, friendly, and confident.
The design appears intended to deliver maximum impact with a friendly, rounded geometry—pairing thick, consistent strokes with softened corners for a bold voice that stays approachable. Its compact, superellipse-driven forms suggest a focus on clear, graphic silhouettes that reproduce strongly in branding and promotional contexts.
Numerals are similarly compact and weighty, with large black areas and tight internal spaces that favor impact over delicacy. The bold punctuation and strong word shapes hold together well in short lines, but the dense counters suggest extra care with spacing at smaller sizes.