Sans Superellipse Fomam 3 is a very bold, normal width, monoline, italic, normal x-height font visually similar to 'Dignus' by Eurotypo, 'Futo Sans' by HB Font, 'JH Oleph' by JH Fonts, 'Frio' by Lamatas un Slazdi, and 'Metral' by The Northern Block (names referenced only for comparison).
Keywords: sports branding, headlines, posters, packaging, gaming ui, sporty, dynamic, techy, confident, futuristic, impact, speed, modernity, branding, display, oblique, rounded, squared, compact, ink-trap-like.
A heavy, oblique sans with rounded-rectangle construction and smooth, uniform stroke weight. Curves are built from squared-off superellipse shapes, giving counters and bowls a compact, engineered feel, while terminals are softly rounded rather than sharp. The set leans wide in stance with restrained apertures and consistent rhythm; diagonals are prominent and clean, and joins stay sturdy at display sizes. Numerals and lowercase maintain the same blocky, streamlined geometry, with a single-storey “a” and generally closed, efficient forms.
Best suited to bold headlines and short-form messaging where impact and momentum matter—sports identities, team apparel, event posters, product packaging, and tech or gaming interfaces. It can also work for punchy subheads or callouts, but its dense, compact counters make it less ideal for long paragraphs at small sizes.
The overall tone is fast and assertive, with a motorsport and performance-tech energy. Its squared curves and forward slant read contemporary and functional, suggesting speed, control, and modern machinery rather than warmth or tradition.
The design appears intended as a high-impact display sans that combines rounded-square geometry with a consistent oblique slant to evoke speed and modernity. Its sturdy, compact letterforms prioritize presence and visual coherence across mixed-case text and numerals.
Several shapes hint at pragmatic, display-oriented engineering—tight counters, compact bowls, and occasional notch-like detailing in places where strokes meet, helping the bold forms stay legible. The italic angle is consistent across capitals, lowercase, and figures, reinforcing a unified forward motion.