Sans Superellipse Fomij 5 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Panton' by Fontfabric, 'Neusa Neu' by Inhouse Type, 'Celluloid JNL' by Jeff Levine, and 'Motigen' by skillyas studio (names referenced only for comparison).
Keywords: sports branding, headlines, posters, logotypes, app ui labels, sporty, dynamic, techy, assertive, modern, impact, speed, modernization, brand presence, display clarity, rounded corners, oblique angle, compact counters, angular joins, blocky curves.
A heavy, oblique sans with a superelliptical construction: curves feel like rounded rectangles, and corners are consistently softened rather than fully circular. Strokes stay broadly uniform, producing dense, high-impact silhouettes with compact interior counters. The letters lean forward with a steady slant, and many forms combine squared-off terminals with rounded outer corners, creating a crisp, machined rhythm. Proportions are pragmatic and slightly condensed in feel, with sturdy bowls and short-looking apertures that favor solidity over airiness.
This font is well suited to sports and automotive-style branding, impactful headlines, posters, and punchy promotional copy. It can also work for interface labels, dashboards, and packaging where short bursts of text need to look modern and resilient. For longer passages, it’s best used at comfortable sizes due to the dense strokes and tight counters.
The overall tone is fast and forceful, with a contemporary, performance-driven character. Its forward slant and squared-yet-rounded geometry read as sporty and technical, suggesting motion, efficiency, and confidence. The weight and tight counters add a sense of toughness that suits energetic, attention-seeking messaging.
The design appears intended to deliver a bold, modern sans with a streamlined, forward-leaning stance and a signature superelliptical rounding. It prioritizes strong silhouettes, consistency, and a technical polish to communicate speed and strength in display settings.
The design maintains a consistent rounding logic across uppercase, lowercase, and numerals, keeping the texture even in longer text. Figures and capitals appear especially stable and signage-like, while the oblique stance and compact spacing naturally push the voice toward display use rather than relaxed reading.