Sans Superellipse Abdoj 3 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Plasma' by Corradine Fonts and 'FF Cube' by FontFont (names referenced only for comparison).
Keywords: ui, app design, wayfinding, product labels, dashboards, techy, clean, modern, friendly, utilitarian, system coherence, modernization, softened geometry, legibility, rounded corners, squared rounds, geometric, monoline, open counters.
A geometric sans with a squared-round, superellipse construction: curves resolve into softly chamfered corners and rounded-rectangle bowls. Strokes are monoline and sturdy, with flat terminals and consistently radiused joins that keep the texture even in dense text. Uppercase forms are compact and boxy (notably C/G/O/Q), while lowercase stays straightforward and functional, with a single-storey a and g and a simple, vertical i/j with square dots. Numerals follow the same rounded-rectangle logic, producing solid, sign-friendly silhouettes.
Performs well in user interfaces, dashboards, product labeling, and signage where consistent geometry and quick character recognition are important. The squared-round forms and sturdy numerals make it especially effective for navigation, controls, and data-forward layouts, while remaining clean enough for modern branding and editorial subheads.
The overall tone is contemporary and technical, with a friendly softness from the rounded corners rather than overt warmth. It reads as pragmatic and system-like—confident, clear, and slightly industrial—suited to interfaces and engineered branding where precision matters but sharpness is dialed back.
Likely designed to merge geometric rigor with approachable rounded geometry, delivering a contemporary sans that feels engineered yet not sharp. The consistent superellipse logic across letters and numbers suggests an emphasis on coherence for digital systems and brand environments.
The rhythm is tight and efficient, with generous inner rounding that prevents shapes from feeling harsh. Distinctive squarish bowls help differentiation in headings and short labels, while the even stroke and open apertures maintain clarity in paragraphs.