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Free for Commercial Use

Sans Superellipse Otdag 5 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Core Sans N SC' by S-Core and 'Hackman' and 'Itoya' by The Northern Block (names referenced only for comparison).

Keywords: ui labels, headlines, posters, branding, signage, techy, clean, friendly, contemporary, sturdy, modernize, soften geometry, increase impact, improve clarity, rounded corners, square-leaning, compact, blocky, geometric.


Free for commercial use
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A compact, geometric sans with squared proportions softened by generous rounding and superellipse-like curves. Strokes are heavy and even, producing a solid color on the page with minimal modulation. Round letters (O, C, G, Q) resolve as rounded rectangles rather than perfect circles, while straight-sided forms (E, F, L, T) stay crisp and blocky. Spacing feels controlled and slightly tight, and the overall rhythm is consistent, favoring broad counters and simplified joins for clarity.

Well-suited to interface labels, dashboards, and product surfaces where a compact, high-impact sans is helpful. It also works effectively for headlines, short blurbs, packaging, and signage that benefit from a crisp, contemporary look and strong letter presence at larger sizes.

The design reads modern and utilitarian with a friendly edge: technical and device-like, yet approachable due to its rounded terminals and softened corners. It conveys stability and straightforwardness, lending a contemporary, engineered tone rather than a calligraphic or expressive one.

The font appears designed to deliver a contemporary, geometric voice with softened corners for approachability, balancing a technical, modular structure with readable, friendly shapes. The emphasis is on consistent color, simple construction, and confident presence in display and UI-forward contexts.

Numerals and capitals appear especially strong and sign-like, with sturdy verticals and rounded-rectangle bowls. Lowercase forms keep a simple, geometric construction, and curves frequently transition into straight stems with clean, unornamented joins, reinforcing the typeface’s systematic, built feel.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸