Sans Other Lonol 6 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'B52' by Komet & Flicker, 'Revx Neue' by OneSevenPointFive, and 'Beachwood' by Swell Type (names referenced only for comparison).
Keywords: posters, headlines, branding, signage, packaging, industrial, stenciled, military, mechanical, techno, stencil effect, industrial labeling, futuristic display, graphic impact, systematic texture, squared, modular, rounded corners, notched, condensed feel.
A heavy, modular sans built from rectangular strokes with rounded outer corners and frequent internal cut-ins that create a stencil-like, segmented construction. Counters are boxy and compact, apertures are deliberately interrupted, and many joins read as engineered notches rather than smooth transitions. Uppercase forms are mostly straight-sided with simplified diagonals (notably in A, K, M, N, V, W, X, Y, Z), while lowercase mirrors the same geometry with single-storey a and compact bowls. Numerals follow the same squared logic, with blocky curves and strategic breaks that keep the texture uniform and dense.
Best suited to display roles where the segmented construction can be read clearly: posters, logotypes, product branding, packaging, and wayfinding or prop-style signage. It also works well for UI or motion graphics that aim for a technical or military-inspired aesthetic, especially at medium to large sizes.
The overall tone is utilitarian and tough, evoking labeling, equipment markings, and hard-edged sci‑fi interfaces. Its repeated gaps and squared silhouettes give it a coded, institutional feel—more functional and assertive than friendly or conversational.
The font appears designed to translate stencil and machine-marking cues into a cohesive, modern display sans, using systematic notches and squared counters to create a distinctive, repeatable texture across letters and numerals.
The design relies on consistent corner radii and recurring “bite” shapes to maintain rhythm across the set, producing strong patterning in text. Because the cuts are integral to many letters, small sizes can reduce character differentiation, while larger settings emphasize the intended industrial texture.