Sans Faceted Mipa 6 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Evanston Alehouse', 'Evanston Tavern', and 'Refinery' by Kimmy Design and 'Navine' by OneSevenPointFive (names referenced only for comparison).
Keywords: headlines, posters, logotypes, packaging, wayfinding, industrial, techno, military, mechanical, rugged, industrial styling, tech display, signage tone, rugged branding, angular, chamfered, stenciled, blocky, modular.
A blocky, angular sans with chamfered corners and faceted construction throughout, replacing curves with straight segments and clipped terminals. Strokes are heavy and consistent, with squared counters and occasional notches that create a subtle stenciled feel (most noticeable in letters like A, O, and C). Proportions are compact with firm verticals and geometric diagonals, producing a tight, high-impact texture in text. Figures and capitals share the same hard-edged geometry, reinforcing a utilitarian, engineered rhythm.
Works best for short-to-medium display settings where its angular cuts can read as a design feature: headlines, posters, branding marks, packaging, and product labeling. It can also suit directional or wayfinding-style graphics when a tough, technical aesthetic is desired, especially at larger sizes where the notches remain distinct.
The overall tone feels industrial and utilitarian, with a techno and military-signage edge. Its faceted cuts and occasional stencil breaks suggest machinery, fabrication, and functional labeling rather than softness or elegance. The voice is assertive and contemporary, leaning toward rugged, engineered minimalism.
The design appears intended to translate a utilitarian, engineered look into a clean sans framework by using chamfers and planar facets in place of curves. The recurring corner cuts and occasional stencil-like gaps add identity while keeping the overall structure simple and strongly geometric for impactful display use.
The faceting is consistent across cases, and the cuts often occur at corners and joins, helping maintain clarity while adding character. The lowercase keeps the same rigid geometry as the uppercase, which makes mixed-case settings feel uniform and purposeful rather than calligraphic or humanist.