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Free for Commercial Use

Inline Irwe 5 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Judgement' by Device, 'Stallman Round' by Par Défaut, 'CFB1 Captain Narrow' by The Fontry, and 'Aeroscope' and 'Amarow' by Umka Type (names referenced only for comparison).

Keywords: headlines, posters, logotypes, packaging, signage, art deco, retro, industrial, poster, techno, impact, compactness, vintage signage, dimensionality, branding, rounded corners, condensed, inline detail, stencil-like, geometric.


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A condensed, heavy display face built from blocky verticals and rounded outer corners, with a consistent inline channel running through the strokes. The geometry favors squared terminals and simplified joins, while counters are compact and often rectangular, keeping the overall rhythm tight and vertical. The inline cut creates a layered, dimensional feel without relying on contrast, and the forms remain largely monolinear in weight. Lowercase maintains the same engineered construction with sturdy stems and restrained curves, and figures follow the same compact, squared-shoulder logic for a cohesive set.

Best suited to short, high-impact settings such as posters, headlines, event graphics, badges, and packaging fronts where the inline detail can be appreciated. It can also work for logo wordmarks and signage that aims for a retro-industrial or Deco-inflected tone, especially when paired with simpler supporting text.

The font reads as classic marquee-meets-machine: confident, punchy, and slightly theatrical. Its inline carving adds a vintage sign-paint/engraved flavor that evokes early 20th‑century display lettering and retro futurism, making text feel bold and purposeful rather than delicate.

The letterforms appear designed to deliver maximum presence in a condensed footprint while adding visual interest through a carved inline that suggests engraving or lit signage. The consistent construction and simplified geometry point to a display-first intent focused on branding and titling rather than extended reading.

The design’s strong vertical emphasis and enclosed shapes create high impact at larger sizes, while the internal inline detail can visually fill in at small sizes or in low-resolution reproduction. Spacing appears tuned for headline setting, with a tight, compact color that benefits from generous tracking when used in longer lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸