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Free for Commercial Use

Solid Pomo 2 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'ATF Railroad Gothic' by ATF Collection, 'Mr Dum Dum' by Hipopotam Studio, 'Galpon Pro' by RodrigoTypo, and 'Herokid' by W Type Foundry (names referenced only for comparison).

Keywords: posters, headlines, logotypes, packaging, signage, industrial, chunky, poster, impact, mechanical edge, graphic novelty, signage strength, blocky, rounded corners, notched, stencil-like, compressed.


Free for commercial use
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A heavy, compressed display face built from solid, monoline shapes with collapsed counters. The glyphs are constructed from broad vertical masses and simplified curves, with frequent squared-off corners, occasional rounded shoulders, and small notches/cut-ins that give the silhouettes a machined, stenciled feel. Spacing appears tight and the overall color is dense, producing strong rectangular rhythm in text while still showing irregularities in bowls and terminals that prevent it from feeling purely geometric.

Best suited for large-size applications where the dense black mass and distinctive silhouettes can do the work: posters, bold headlines, logotypes, packaging fronts, and attention-grabbing signage. It can also function as a graphic accent in layouts, especially when set with generous leading and simple supporting typography.

The font conveys a loud, assertive tone with an industrial, engineered edge. Its solid fills and chunky silhouettes read as tough and utilitarian, leaning toward retro signage and novelty display rather than refined typographic neutrality.

The design appears intended to maximize visual punch through solid, counterless forms and compact proportions, while adding character via subtle notches and irregular contour decisions. It prioritizes immediate impact and a mechanical, cut-from-sheet look over readability at small sizes.

Because the interiors are filled, letter recognition relies on outer silhouettes and distinctive cut-ins; this increases impact at larger sizes but can reduce clarity in continuous text. Numerals and capitals share the same blunt, block-first construction, supporting a consistent, heavyweight voice across headings and short bursts of copy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸