Sans Superellipse Asruk 8 is a light, narrow, monoline, upright, normal x-height font.
Keywords: ui labels, wayfinding, dashboards, packaging, posters, clean, modern, technical, friendly, minimal, space efficiency, geometric consistency, modern clarity, softened tech feel, rounded corners, condensed, open counters, soft geometry, modular.
This sans serif has a slim, monoline skeleton built from softly squared, superelliptical curves. Rounds such as C, O, and G read like rounded rectangles, with consistent curvature and smooth joins that give the face a tidy, engineered rhythm. Straight strokes stay uniform and verticals are dominant, while terminals tend to end cleanly without flaring, keeping the texture even in longer text. The lowercase shows simple, compact construction with open counters and restrained details, producing a calm, legible color at display and text sizes.
It performs well in space-conscious settings such as UI labels, navigation, tables, and dashboard readouts where compact width helps fit more information. The clean, rounded geometry also suits branding for modern products, packaging, and contemporary editorial or poster headlines that want a crisp but approachable voice.
The overall tone feels contemporary and utilitarian, with a gentle friendliness coming from the rounded geometry. It communicates clarity and order rather than personality-driven flair, making it well suited to systems-oriented design. The narrow proportions add a slightly technical, space-efficient character.
The font appears designed to deliver a compact, modern sans with a distinct superelliptical construction, prioritizing consistency, clarity, and a smooth, contemporary texture. Its rounded-rectangle forms aim to feel systematic and efficient while staying visually warm enough for everyday interface and brand use.
The design leans into a modular, rounded-rectangle logic across both letters and figures, which helps maintain strong consistency between capitals, lowercase, and numerals. Curved forms are more squared than circular, and the family’s visual identity is driven by that superelliptical rounding rather than contrast or ornament.