Spooky Ofla 3 is a regular weight, normal width, high contrast, upright, normal x-height font.
Keywords: horror titles, movie posters, game branding, halloween promos, album covers, menacing, ritualistic, chaotic, punkish, cinematic, shock value, eerie texture, dramatic titling, aggressive branding, razor-edged, scratchy, jagged, tapered, angular.
A sharply angular display face built from jagged, blade-like strokes with pronounced tapering and abrupt terminals. Letterforms show a hand-cut, scratchy texture with uneven stroke edges and small internal slivers, creating strong light/dark flicker within the black shapes. The silhouette rhythm is irregular with frequent diagonal cuts and pointed joins, while counters are often narrow, triangular, or partially pinched. Capitals and lowercase share a consistent spiky construction, and numerals follow the same aggressive, chiseled geometry for a cohesive set.
Best suited to high-impact display roles such as horror or thriller titles, poster headlines, game key art, event flyers, and punchy social graphics. It can also work for short packaging callouts or logo-style wordmarks where an aggressive, carved aesthetic is desired, especially at medium-to-large sizes.
The overall tone is threatening and theatrical, evoking ominous signage, occult props, and slasher-title intensity. Its erratic edges and knife-point terminals feel volatile and untrustworthy, leaning into suspense and shock rather than refinement or calm readability.
The design appears intended to simulate carved or slashed lettering through extreme tapering, jagged contours, and high internal contrast, prioritizing atmosphere and dramatic silhouette over smooth regularity. Consistent spikiness across caps, lowercase, and figures suggests a purpose-built set for themed titling and bold, narrative-driven branding.
In the sample text, the texture and tight counters become more pronounced as lines densify, producing a gritty, vibrating word shape. The most successful settings emphasize short bursts—headlines, titles, and single-word hits—where the sharp silhouettes can read as a deliberate effect rather than noise.