Sans Superellipse Odny 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Cosan' by Adtypo, 'FF Signa' and 'FF Signa Round' by FontFont, 'Sana Sans' by Latinotype, and 'Geller Sans' by Ludka Biniek (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, friendly, chunky, modern, playful, confident, impact, approachability, modernity, simplicity, legibility, rounded, soft corners, geometric, compact, heavy.
A heavy, rounded sans with a superellipse construction: bowls and counters lean toward rounded-rectangle shapes rather than pure circles. Strokes are thick and largely monolinear, with broad curves, softened terminals, and compact joins that keep silhouettes sturdy at display sizes. Proportions feel slightly condensed in many letters, with generous internal counters for the weight; lowercase forms are simple and utilitarian, with a single-storey “a” and “g” and a short, robust “t” crossbar. Numerals match the same squared-round geometry, with wide, stable forms and clearly separated counters in figures like 8 and 9.
Best suited to short, high-impact text such as headlines, posters, brand marks, packaging, and attention-grabbing UI labels. The sturdy shapes and open counters help it hold up in larger sizes and on-screen contexts where a friendly, modern presence is desired.
The overall tone is bold and approachable, combining a modern geometric feel with a soft, friendly edge. Its rounded-rectangle rhythm reads as playful and contemporary while still feeling solid and dependable.
The design appears intended to deliver maximum bold presence with approachable softness, using rounded-rectangle geometry to create a distinctive, contemporary voice that remains easy to scan in display typography.
Round forms (O/Q/C/G) show subtly flattened sides, reinforcing the superellipse look. Curved strokes in S and 2 are thick and smooth, and diagonal letters (K/V/W/X/Y) retain a chunky, compact stance that emphasizes impact over delicacy.