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Serif Flared Loho 8 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Britannic EF' by Elsner+Flake, 'Britannic' by Linotype, 'MC Molodi' by Maulana Creative, 'Grenoble Serial' by SoftMaker, 'TS Grenoble' by TypeShop Collection, and 'Britannic' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, book covers, magazine titles, branding, authoritative, classic, editorial, dramatic, formal, impact, tradition, gravitas, display emphasis, editorial voice, bracketed, flared, beaked, sculpted, ball terminals.


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A very heavy serif with pronounced contrast and sculpted, flaring stroke endings. The design shows strongly bracketed serifs and wedge-like terminals that feel carved rather than purely mechanical, with tight, sturdy counters in letters like B, D, and O. Curves are full and controlled, and joins are crisp, giving the type a dense, compact color in text. Lowercase forms lean traditional, with a two-storey a and g and a beaked, slightly calligraphic rhythm; figures are bold and stable with clear shapes and strong vertical emphasis.

Best suited to headlines, titling, and short bursts of text where its bold color and sculpted serifs can carry the page. It works well for magazine mastheads, book covers, and branding that wants a classic, authoritative voice with added drama from flared terminals.

The overall tone is confident and traditional, with a dramatic, display-ready weight that reads as editorial and institutional. Its sharp terminals and flared finishing add a sense of ceremony and gravitas, while the rounded bowls keep it approachable rather than austere.

The letterforms appear designed to deliver maximum impact while retaining a traditional serif structure. The flared endings and strong bracketing suggest an intention to bridge classic editorial typography with a more sculptural, display-forward presence.

The heavy weight and tight internal spaces create strong impact at larger sizes, while the high contrast and small apertures can make long passages feel dense. The italic is not shown; the samples indicate a consistent, upright texture with prominent terminals and a noticeable baseline presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸