Slab Square Sudop 2 is a regular weight, wide, low contrast, italic, normal x-height, monospaced font visually similar to 'Electrica' by Scannerlicker (names referenced only for comparison).
Keywords: body text, editorial, publishing, typewriter styling, captions, typewriter, bookish, vintage, warm, readable text, typewriter nod, humanized slab, editorial voice, structured rhythm, slab serif, bracketed serifs, soft curves, calligraphic, texty.
A slanted slab-serif design with sturdy, rectangular serifs and gently bracketed joins that keep the forms from feeling too mechanical. Strokes stay fairly even, with rounded curves and open counters that read clearly in continuous text. The rhythm is steady and gridlike, while the italics introduce a consistent forward motion; lowercase shows looped, handwritten-style constructions alongside slabbed stems, creating a hybrid of typewriter regularity and pen-like gesture. Figures follow the same robust, slightly rounded construction and sit comfortably with the capitals.
Works well for editorial layouts, book and magazine typography, and long-form passages where a steady, even texture is helpful. It also suits typewriter-evoking branding, pull quotes, captions, and UI or documentation contexts that benefit from a structured, consistent rhythm while still feeling warm and approachable.
The overall tone feels typewriter-adjacent and literary, with a calm, practiced cadence rather than a sharp or ultra-modern voice. Its slanted posture adds liveliness and a conversational feel, while the slab serifs keep it grounded and authoritative—suited to work that wants to feel classic, human, and a bit nostalgic.
Likely designed to combine the dependable, engineered presence of slab serifs with the energy of an italic text face, producing a readable, characterful style that bridges utilitarian typewriter cues and literary publishing polish.
Capitals present broad, stable silhouettes with prominent serifs and clear interior shapes, while the lowercase leans more cursive in structure without becoming fully script. The slant is consistent across letters and numerals, helping long passages maintain momentum. Spacing appears uniform and structured, reinforcing an orderly, utilitarian texture on the page.