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Free for Commercial Use

Stencil Huna 1 is a bold, normal width, low contrast, upright, normal x-height, monospaced font visually similar to 'Realtime', 'Realtime Rounded', 'Realtime Stencil', 'Realtime Stencil Rounded', 'Realtime Text', and 'Realtime Text Rounded' by Juri Zaech (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, labels, industrial, utilitarian, tactical, mechanical, rugged, stencil texture, impactful display, industrial signaling, systemic consistency, blocky, geometric, segmented, hard-edged, high-impact.


Free for commercial use
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A heavy, block-constructed sans with clear stencil breaks that interrupt key strokes while keeping each form firmly readable. Letter shapes are built from straight segments and large-radius curves, with squared terminals and a consistently rigid rhythm. The cutouts are applied systematically across uppercase, lowercase, and figures, creating a segmented, engineered look with strong horizontal emphasis and compact counters.

Well suited to short, high-impact settings such as posters, title treatments, labels, and wayfinding-style signage where the stencil texture can be a feature. It also works for branding in industrial, tactical, or tech-adjacent contexts, especially when set with generous spacing to let the breaks read cleanly.

The overall tone feels industrial and utilitarian, with a no-nonsense, equipment-label attitude. Its stencil interruptions add a tactical, procedural character that evokes signage, fabrication, and machine marking rather than editorial refinement.

Likely intended to deliver a strong stencil voice with dependable legibility and a consistent, system-like rhythm across characters. The repeated bridging and simplified geometry suggest a design built to convey robustness and an engineered, functional mood in display typography.

The design relies on consistent internal bridging—often through mid-stroke gaps and crossbar interruptions—which becomes a defining texture in words and lines of text. Rounded letters (like O/C/G) maintain sturdy, simplified bowls, while diagonals (such as in V/W/X/Y) keep crisp, angular joins that reinforce a technical, constructed aesthetic.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸