Sans Superellipse Otluh 6 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Necia' by Graviton, 'Enamela' by K-Type, 'Navine' by OneSevenPointFive, 'Nulato' by Stefan Stoychev, 'Gemsbuck Pro' by Studio Fat Cat, and 'Manifest' by Yasin Yalcin (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, packaging, industrial, utilitarian, contemporary, assertive, technical, impact, clarity, compactness, modernity, systematic, rounded corners, condensed feel, sturdy, blocky, high contrast apertures.
A heavy, compact sans built from squared-off, superellipse-like outlines with consistently rounded corners. Strokes are uniform and dense, with tight internal counters and a generally condensed footprint that keeps letters tall and efficient. Curves resolve into flattened arcs rather than true circles, giving round letters a rounded-rectangle skeleton; terminals are blunt and clean. The lowercase is simple and engineered, with single-storey forms where applicable and squared bowls, producing a highly regular rhythm across text.
Well-suited to headlines and short display copy where a compact, high-impact voice is needed. It also fits signage, labels, packaging, and brand marks that benefit from sturdy geometry and crisp, rounded-corner forms.
The overall tone is practical and no-nonsense, with a modern, industrial edge. Its blocky rounding feels like contemporary UI hardware labeling—firm and confident rather than friendly or calligraphic.
The design appears intended to deliver a robust, space-efficient sans with a distinctive rounded-rectangle geometry, balancing strict construction with softened corners for a contemporary, engineered look.
Distinctive squared curvature shows up strongly in C, G, O, Q, and the numerals, where counters feel compact and corners do much of the shaping. The set reads best when allowed a bit of breathing room, as the heavy weight and narrow apertures can darken quickly in dense settings.