Sans Superellipse Fedop 12 is a bold, narrow, low contrast, italic, normal x-height font visually similar to 'Bebas Neue Pro' by Dharma Type, 'Midsole' by Grype, 'Neusa Neu' by Inhouse Type, 'Enamela' by K-Type, 'Monton' by Larin Type Co, and 'Brainy Variable Sans' by Maculinc (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, sporty, dynamic, technical, modern, confident, impact, speed, compactness, modernity, condensed, oblique, squared-round, blocky, high-impact.
A condensed, forward-leaning sans with heavy, even strokes and a squared-round (superellipse) construction. Curves resolve into rounded-rectangle bowls and counters, producing a compact, engineered feel. Terminals are mostly flat and blunt, with occasional angled cuts that reinforce the slanted momentum. Proportions are tight with relatively narrow apertures and firm joins, creating a dense texture in text while keeping letterforms clean and legible at display sizes. Numerals follow the same compact, rounded-rect geometry for a cohesive alphanumeric color.
Best suited for headlines, logos, and short-to-medium display text where a compact, high-impact voice is needed. It works well for sports and performance branding, product packaging, event graphics, and tech-forward interfaces or dashboards where space-efficient width and strong shapes help maintain clarity.
The overall tone is fast, assertive, and contemporary, suggesting motion and performance. Its oblique stance and compact width read as energetic and tactical, with a slightly industrial edge that feels at home in modern branding and sports-adjacent design.
The design appears intended to deliver a compact, high-energy sans that combines geometric discipline with rounded-rect forms for a distinctive, modern silhouette. The consistent stroke weight and forward slant prioritize immediacy and visual punch, making it effective for branding and attention-driven display typography.
Round forms (like O, Q, 0, 8) lean strongly into squircle-like silhouettes, which makes the font feel distinctive compared to purely geometric rounds. The uppercase has a disciplined, poster-friendly presence, while the lowercase maintains the same muscular rhythm, yielding a consistent, punchy texture across mixed-case settings.