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Free for Commercial Use

Sans Superellipse Olluf 2 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'Artegra Sans' by Artegra and 'Brinova' by Digitype Studio (names referenced only for comparison).

Keywords: headlines, posters, signage, packaging, branding, modern, industrial, friendly, confident, utilitarian, impact, clarity, space saving, systematic, rounded corners, compact, sturdy, blocky, softened.


Free for commercial use
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This typeface is a compact, heavy sans with squared-off construction softened by rounded corners. Curves and counters lean toward rounded-rectangle geometry, producing a consistent, engineered rhythm across letters and numerals. Strokes are broadly even with minimal modulation, terminals are clean and blunt, and joins stay controlled rather than calligraphic. The lowercase is straightforward and workmanlike, with single-story forms where expected (notably the “g”), and the figures follow the same sturdy, rounded-rectilinear logic.

It performs best in short, impactful settings such as headlines, posters, packaging callouts, and signage where a compact, bold voice is useful. Its consistent, rounded-rect forms also suit branding systems that want a modern, industrial feel without sharp edges.

The overall tone feels contemporary and practical, with a friendly edge coming from the rounded corners. It reads as confident and no-nonsense—more “tool” than “fashion”—while still avoiding harshness. The texture is dense and steady, giving it a dependable, signage-like presence.

The design appears intended to deliver high-impact readability in a space-efficient width, using rounded-rectangle construction to balance toughness with approachability. It prioritizes uniformity and clarity over expressive stroke variation, aiming for a clean, contemporary voice suitable for functional display typography.

The narrow set width and large, simple counters create a tight, economical footprint that stays legible at display sizes. The round-rect geometry is especially apparent in bowls (B, P, R), the O/Q, and numerals, which helps the design feel unified and systematic.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸