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Sans Faceted Abmah 2 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Kaneda Gothic' by Dharma Type, 'Burger Honren' by IRF Lab Studio, 'Hot Rush' by Set Sail Studios, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: posters, headlines, sports, packaging, signage, industrial, authoritative, rugged, retro, aggressive, high impact, space saving, industrial feel, headline focus, octagonal, chamfered, condensed, blocky, angular.


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A condensed, heavy display sans built from straight strokes and clipped corners, replacing curves with crisp planar facets. Counters are compact and often squarish, with consistently chamfered terminals that give letters an octagonal, stencil-like silhouette without actual breaks. Vertical strokes dominate, diagonals are steep and tightly fit, and overall spacing feels packed, creating a dense, poster-ready texture. Numerals and capitals share the same hard-edged geometry, while the lowercase keeps a tall, compact profile that reads more like scaled-down caps than a calligraphic text face.

Best suited to large-scale display work such as posters, event graphics, sports branding, bold packaging callouts, and attention-grabbing signage. It can work for short subheads or labels when tracking is opened slightly, but it is visually intense for extended reading.

The font conveys a tough, no-nonsense tone with a distinctly mechanical edge. Its sharp facets and tight proportions suggest industrial signage, sports energy, and high-impact headlines, leaning more assertive than friendly.

This design appears intended to deliver maximum impact in limited horizontal space while maintaining a cohesive, hard-edged geometric identity. The faceted construction prioritizes strong silhouettes and a punchy, industrial rhythm over softness or typographic nuance.

The faceting is applied with strong consistency across the set, producing uniform corner angles and a rhythmic pattern of clipped joints. The condensed width and narrow apertures make it most effective when given enough size and breathing room, as the dense shapes can merge in long passages.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸