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Free for Commercial Use

Sans Faceted Abmap 6 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Moldin' by Azzam Ridhamalik, 'Burger Honren' by IRF Lab Studio, 'Pravda' by Umka Type, 'Drone Ranger Pro' by Vintage Type Company, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, sports branding, industrial, athletic, authoritative, urban, retro, impact, space saving, signage look, bold branding, geometric consistency, octagonal, chamfered, condensed, blocky, stencil-like.


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A condensed, heavy display face built from straight strokes and clipped corners, replacing curves with angular chamfers. Counters are small and often polygonal, giving letters like O and Q an octagonal, sign-cut feel. Terminals are flat and abrupt, with minimal modulation, and the overall rhythm is tight and vertical, emphasizing tall stems and compact apertures. The lowercase follows the same faceted logic, with simplified bowls and squared-off joints that keep the texture dense at text sizes.

Best suited to headlines, posters, and branding where strong, condensed impact is needed in limited horizontal space. It performs well for logos, apparel/sports graphics, packaging, and short phrases in all caps, especially when you want an industrial, cut-metal look rather than a smooth geometric feel.

The faceted geometry and compressed proportions project a tough, utilitarian tone with a sporty, no-nonsense energy. Its sharp corners and dark mass read as assertive and mechanical, evoking labeling, equipment markings, and bold headline culture.

This font appears designed to deliver maximum impact through dense black shapes and a consistent faceted construction, translating a carved or die-cut aesthetic into a compact display tool. The emphasis is on bold silhouette recognition and a cohesive, angular voice across the character set rather than comfortable long-form reading.

The design maintains a consistent chamfer language across letters and numerals, creating strong cohesion in all-caps settings. Narrow joins and tight counters can cause internal spaces to close up at smaller sizes, while the distinctive, cut-corner silhouettes remain highly recognizable in large-scale use.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸