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Serif Normal Ankut 2 is a bold, wide, very high contrast, italic, normal x-height font visually similar to 'Agna' by DSType and 'Nitida Display' and 'Nitida Headline' by Monotype (names referenced only for comparison).

Keywords: headlines, magazines, posters, packaging, branding, dramatic, editorial, classic, theatrical, luxurious, display emphasis, editorial voice, brand drama, premium feel, classic revival, bracketed, beaked, swashy, calligraphic, sculptural.


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A high-contrast serif with a pronounced rightward slant and sculpted, wedge-like terminals. Strokes shift sharply from hairline connections to heavy stems, creating a lively rhythm across words. Serifs are crisp and often beaked, with a mix of sharp points and softly bracketed joins that feel carved rather than purely geometric. Counters are relatively open for the weight, while curves and joins show a gently calligraphic swing; numerals and capitals carry the same dramatic modulation and slightly expanded stance.

Best suited to headlines, subheads, pull quotes, and other short-to-medium display text where its contrast and angled forms can be appreciated. It can add a premium, editorial feel to brand identities, packaging, and event or cultural posters. For longer passages, it will typically perform best with generous size and leading to preserve clarity of the hairlines and counters.

The overall tone is expressive and emphatic, combining classical serif heritage with a fashionable, showy italic energy. It reads as confident and premium, with a hint of vintage poster drama rather than quiet bookishness. The contrast and angled stress add a sense of motion and flair that feels well-suited to attention-getting typography.

The design appears intended to deliver a conventional serif structure with elevated drama: an italic-forward, high-contrast voice for editorial and branding contexts. Its sharp terminals, beaked serifs, and energetic modulation suggest a focus on impactful display typography that still retains recognizable serif conventions.

At larger sizes the fine hairlines and sharp terminals become a defining feature, while at smaller sizes the dense weight and tight interior details can become more assertive. The italic construction is strong enough to function as a primary voice, not just an accompaniment, and the figures share the same display-forward modeling and stroke contrast.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸