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Sans Superellipse Jeri 7 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Outlast' by BoxTube Labs, 'Clio Condensed' by LeType, 'UNicod Sans' by Mostardesign, and 'FTY Galactic VanGuardian' by The Fontry (names referenced only for comparison).

Keywords: headlines, posters, branding, sports, gaming, industrial, sporty, techno, assertive, utilitarian, impact, modernize, differentiate, signal strength, systematize, squared, rounded corners, compact, blocky, stencil-like cuts.


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A heavy, block-constructed sans with squared silhouettes softened by consistently rounded corners. Curves resolve into squarish bowls and rounded-rectangle counters, giving letters like O, Q, and 0 a superelliptic feel. Strokes are uniform with minimal modulation, and terminals are mostly flat, producing a crisp, machined rhythm. Many glyphs incorporate small angular notches and cut-ins (notably in S, G, 2, and 3), adding a slightly segmented, engineered texture while keeping counters relatively open for the weight. Uppercase forms are compact and tall, while lowercase maintains a sturdy, simplified structure with a single-storey a and a compact e.

Best suited to headlines and short bursts of text where impact and a strong graphic silhouette matter—posters, product branding, sports or esports identities, gaming UI moments, and tech-forward packaging. The dense, squared rhythm can overwhelm long passages, but it excels when used large with generous leading or in high-contrast layout environments.

The overall tone is bold and functional, with a modern industrial edge. Its rounded-square geometry and deliberate cut-ins suggest speed, equipment labeling, and contemporary tech aesthetics rather than warmth or tradition.

The design appears intended to deliver maximum visual weight and clarity through rounded-rectangle geometry, combining hard-edged construction with softened corners for a contemporary, equipment-grade look. The cut-in details provide differentiation between similar forms while preserving a cohesive, engineered system.

Spacing appears intentionally tight in display settings, creating dense headlines with strong rectangular color. The numerals follow the same squared, rounded-rectangle logic, reading as robust and sign-like, with distinctive angular joins that reinforce a constructed, modular personality.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸