Sans Superellipse Jegy 4 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Sagan' by Associated Typographics, 'EFCO Growers' by Ilham Herry, and 'First Prize' by Letterhead Studio-VG (names referenced only for comparison).
Keywords: headlines, posters, logos, sports branding, packaging, industrial, retro, assertive, sporty, techy, impact, branding, signage, retro-tech, ruggedness, rounded corners, squared bowls, compact, blocky, stencil-like.
A heavy, block-built sans with rounded-rectangle construction throughout. Curves resolve into superelliptical corners rather than true circles, producing squared bowls and counters (notably in O, o, and 0). Strokes are monolinear and firm, with mostly flat terminals; interior counters are compact and often rectangular, emphasizing a dense, high-impact color. The lowercase is large and sturdy, with simplified, geometric forms and minimal modulation; overall spacing feels tight and efficient, supporting chunky headlines and condensed copy blocks without delicate detail.
Best suited to display sizes where its dense weight and rounded-block geometry can carry impact—headlines, posters, badges, and logo wordmarks. It also fits athletic or industrial branding, gaming/arcade-themed graphics, and packaging labels where a bold, utilitarian tone is desired.
The font projects a tough, engineered attitude—part industrial signage, part arcade/sci‑fi display. Its squared rounding and compact counters read as confident and utilitarian, giving text a punchy, poster-like presence with a subtle retro-tech flavor.
The design appears intended to deliver maximum impact with a consistent rounded-rectangle motif, prioritizing bold legibility and a distinctive geometric signature. It aims for a modern industrial look with retro-tech undertones, keeping forms simple and robust for branding and display typography.
Several glyphs lean on straight-sided, squared shapes (e.g., C/E/S) while still maintaining softened corners, creating a consistent “rounded block” rhythm. Figures are similarly constructed and strongly aligned, making numeric strings feel solid and uniform. The overall texture is dark and attention-grabbing, with shapes that stay recognizable even when set tightly.