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Free for Commercial Use

Serif Flared Himof 8 is a bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Optima Cyrillic' by Linotype (names referenced only for comparison).

Keywords: headlines, editorial, posters, book covers, packaging, classic, elegant, confident, literary, expressive italic, editorial voice, classic refinement, high impact, flared, calligraphic, dynamic, bracketed, tapered.


Free for commercial use
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This typeface is a right-leaning serif with visibly flared terminals and softly bracketed, wedge-like serifs that broaden out from the stems. Strokes show a calligraphic logic, with curved joins and tapered entry/exit strokes that create a lively rhythm across words. Capitals are sturdy and formal with generous curves and clear counters, while lowercase forms are compact and energetic, with a single-storey “g” and a gently descending “y” that accentuate the slanted flow. Numerals are robust and old-style in spirit, pairing rounded bowls with crisp, tapered endings for a cohesive, print-like texture.

It performs best in display sizes where the flared details and calligraphic modulation can be appreciated—headlines, deck copy, pull quotes, and cover typography. It can also support short passages in editorial layouts when a strong, characterful italic voice is desired, especially in print-oriented designs.

The overall tone is traditional and editorial, conveying authority without feeling rigid. Its italic movement and flared finishing strokes add warmth and a slightly literary, old-world character that reads as refined and deliberate. The color on the page feels confident and emphatic, making it well suited to statements and prominent typography.

The design appears intended to deliver a distinctive, expressive serif italic that blends classic editorial conventions with flared, calligraphic finishing. Its forms prioritize personality, momentum, and a confident page presence over neutrality, making it a strong choice for branded or story-driven typography.

The spacing and shapes create a pronounced, dark typographic color, especially in continuous text, where the slant and flared terminals produce a strong forward momentum. Curved letters (C, G, O, Q) emphasize broad, smooth bowls, while diagonals (V, W, X, Y) keep sharp, tapered tips that reinforce the energetic rhythm.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸