Print Fimur 2 is a very bold, narrow, medium contrast, italic, short x-height font.
Keywords: posters, headlines, branding, apparel, sports graphics, energetic, edgy, urban, sporty, rebellious, impact, motion, handmade, texture, attitude, brushy, rough, slanted, angular, dry-brush.
A fast, brush-written print style with a pronounced forward slant and compact, upright proportions. Strokes look dry and textured, with frayed edges and occasional tapering that suggests quick pressure changes rather than smooth calligraphic modulation. Letterforms are angular and segmented, with sharp terminals and brisk curves that keep the rhythm tight; counters are small and openings are often pinched, reinforcing a dense, punchy silhouette. Spacing feels lively and slightly irregular, consistent with a hand-made, marker/brush impression rather than a geometrically even construction.
Best suited for short, high-visibility text such as posters, event titles, album/cover art, brand marks, and apparel graphics where the rough brush character can be appreciated. It also works well in sports, action, and lifestyle contexts that benefit from speed and impact. For long passages or small UI text, the dense forms and texture are likely to feel heavy and busy.
The overall tone is urgent and high-impact, with a gritty, street-level confidence. It reads like a bold hand-tag or sports brush headline—assertive, loud, and a little reckless in a deliberate way. The rough texture adds rawness and motion, giving the font an expressive, performance-oriented attitude.
The design appears intended to mimic rapid brush lettering in a bold, print-like (unconnected) construction, prioritizing immediacy and visual punch over refinement. Its slanted stance, rough stroke edges, and condensed footprint suggest a display font built to convey motion, attitude, and handmade authenticity in modern graphic settings.
The texture is a key part of the identity: edges break up and stroke fill varies, creating a printed-ink or dry-brush feel that becomes more noticeable at larger sizes. Diagonals and sharp joins dominate, and the numerals echo the same brisk, slashed movement for consistent headline energy.