Sans Superellipse Omlaf 5 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Chamelton' by Alex Khoroshok; 'Gravitica', 'Gravitica Rounded', 'Gridink', and 'Urbine' by Ckhans Fonts; 'Transcript' by Colophon Foundry; 'Ciutadella' by Emtype Foundry; and 'Cervino' by Typoforge Studio (names referenced only for comparison).
Keywords: headlines, branding, packaging, posters, ui labels, friendly, confident, modern, approachable, clean, brand voice, display impact, approachability, clarity, rounded, soft corners, compact curves, sturdy, high contrast-free.
A sturdy sans with rounded-rectangle geometry and softly squared curves throughout. Strokes are monoline and heavy, with large counters kept open enough for clarity at display sizes. The lowercase has a single-storey “a” and “g,” a compact “e” with a tight aperture, and generally short, efficient joins that reinforce a clean, engineered rhythm. Terminals are blunt and gently rounded, and round letters like O/C/G read more like superelliptical forms than perfect circles, giving the face a controlled, contemporary silhouette.
Best suited to headlines, logos, packaging, and bold UI labels where strong presence and quick recognition are priorities. The simplified, rounded construction also works well for signage and short bursts of copy in marketing or product contexts.
The overall tone is friendly and modern, with a confident, no-nonsense weight that still feels approachable due to the rounded geometry. It reads as practical and upbeat rather than formal or editorial, leaning toward a contemporary product/brand voice.
The design appears intended to combine a solid, contemporary sans structure with superelliptical softness, delivering impact without sharpness. Its consistent rounded-rectangle logic suggests a focus on cohesive brand texture and legible, punchy display performance.
Spacing and proportions feel optimized for headline use: wide, stable capitals, compact lowercase forms, and simplified details that keep shapes consistent across the set. Numerals appear straightforward and robust, matching the same rounded, squared-off construction as the letters.