Sans Normal Osgoy 14 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Orqquidea', 'PGF Orqquidea', and 'PGF Trajanite' by PeGGO Fonts and 'DT Ampla' by dooType (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, friendly, modern, bold, clean, impact, clarity, approachability, simplicity, modernity, rounded, geometric, blocky, high impact, compact joins.
A heavy, rounded sans with broad proportions and simple geometric construction. Curves are smooth and close to circular, while terminals are clean and mostly squared-off, giving the outlines a sturdy, blocky feel. Counters are relatively tight (notably in letters like B, e, and a), which increases darkness and punch in text. The lowercase uses a single-storey a and g, a short-shouldered r, and a compact t with a sturdy crossbar; the dot on i/j is round. Numerals are similarly robust and open, with a clear, circular 0 and strong, simplified forms across the set.
Best suited to short, high-impact settings such as headlines, posters, storefront or wayfinding signage, and bold branding moments. It can work for labels and packaging where a strong, friendly voice is needed, and for UI or promotional graphics when used at larger sizes with generous spacing. For body text, it will typically perform better in brief callouts than in long passages due to its dense texture.
The overall tone is assertive and approachable, with a contemporary, no-nonsense presence. Its rounded geometry softens the weight, keeping it from feeling harsh while still reading as emphatic and attention-grabbing. The rhythm feels steady and utilitarian, suggesting clarity and confidence over delicacy.
The design appears aimed at delivering maximum presence with minimal stylistic fuss: a geometric, rounded sans that stays straightforward while remaining personable. The letterforms prioritize solidity, consistency, and immediate legibility in display contexts, making it a practical choice for modern, bold communication.
In longer lines the dense color can dominate, especially at smaller sizes, where the tight counters and heavy joins may reduce interior whitespace. At display sizes the simplified shapes and broad forms read cleanly and hold their structure well. The Q’s tail and the compact lowercases add distinctive, slightly playful character without becoming quirky.