Sans Normal Onlun 11 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'AC Texto' and 'AC Texto Pro' by Antoine Crama, 'FF Sanuk' by FontFont, 'Darwin Pro' by Los Andes, 'MVB Embarcadero' by MVB, 'Interval Next' and 'Interval Sans Pro' by Mostardesign, and 'Fact' by ParaType (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, packaging, clean, confident, neutral, friendly, modern, clarity, impact, modern utility, versatility, geometric, rounded, solid, open counters, high legibility.
This typeface is a sturdy sans with broadly geometric construction and smooth, rounded curves. Strokes are heavy and even, with minimal modulation, and joins are clean and unembellished. Counters are generally open and clear, and the forms favor simple, efficient shapes—round letters like O and C read as near-circular, while straight-sided letters keep crisp, squared terminals. Uppercase proportions are wide and stable, and the lowercase shows straightforward, contemporary silhouettes with a single-storey a and g and a compact, functional t.
It’s well suited to headlines, short blocks of text, and prominent UI or wayfinding where a strong, clear voice is needed. The heavy, even stroke and open counters help it hold up in posters, branding marks, packaging, and signage, especially at medium-to-large sizes.
The overall tone is modern and no-nonsense, with a friendly softness coming from the rounded curves and generous interior spaces. It feels confident and practical rather than expressive, aiming for clarity and dependable presence in display settings.
The design intent appears to prioritize clarity, impact, and straightforward modernity through geometric forms and uniform stroke weight. It aims to deliver a versatile, contemporary sans look that reads quickly and maintains a consistent, confident texture in display typography.
The numerals appear large and sturdy with simple contours, matching the letters’ geometric logic. Diagonals (V, W, X, Y) are firm and symmetrical, and rounded letters maintain consistent color across lines, producing a solid, even typographic rhythm.