Sans Superellipse Abmur 5 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Eurostile Next' and 'Eurostile Next Paneuropean' by Linotype, 'Naghashian' by Naghi Naghachian, and 'Neue Rational Narrow' by René Bieder (names referenced only for comparison).
Keywords: ui labels, product design, signage, dashboards, packaging, modern, clean, friendly, pragmatic, neutral, clarity, system design, modern neutrality, approachability, geometric, rounded, monoline, crisp, sturdy.
This is a monoline sans with softly squared, superelliptical curves and gently rounded corners throughout. Strokes are even and steady, with compact joins and minimal modulation, creating a calm, consistent texture in text. Uppercase forms are straightforward and geometric, with broad, stable proportions; round letters (C, O, Q) read as rounded-rectangle constructions rather than pure circles. Lowercase features a single-storey “a” and “g”, open apertures, and simple terminals; the “t” has a short crossbar and the “f” descends with a compact hook. Numerals are similarly utilitarian, with a plain, open “4,” a simple “1,” and rounded, sturdy “0/8/9” shapes that match the overall superellipse logic.
It is well-suited to interface typography, wayfinding, and product branding where clarity and a modern, friendly neutrality are needed. The consistent stroke and softened geometry help it stay legible at small-to-medium sizes for labels and controls, while the bold, clean silhouettes also hold up for headings in digital and print applications.
The overall tone is modern and approachable, balancing technical neatness with softened geometry. Its rounded-rectangle construction gives it a contemporary, product-oriented feel—efficient and clear rather than expressive or decorative. The uniform rhythm and restrained details convey reliability and a matter-of-fact personality.
The font appears designed to deliver a contemporary geometric sans built on superelliptical, rounded-rectangle forms for a clean yet approachable voice. Its simplified lowercase and steady monoline construction suggest an emphasis on functional readability and consistent rendering across a wide range of everyday design contexts.
Spacing appears even and conservative, supporting a stable paragraph color in the sample text. The design avoids sharp points where possible, and diagonals (K, V, W, X, Y) remain crisp while still harmonizing with the rounded treatment seen in curved glyphs. The question mark and punctuation follow the same compact, sturdy construction, reinforcing a consistent system across letters and figures.