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Serif Flared Umly 13 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'Ephemera Egyptian' by Ephemera Fonts, 'Perfume' by Fenotype, 'Juliette Collin' by Grezline Studio, 'Sign Stickers JNL' by Jeff Levine, and 'Sharp Sans Condensed' by Monotype (names referenced only for comparison).

Keywords: headlines, editorial, book covers, posters, branding, vintage, authoritative, stately, scholarly, heritage tone, strong display, editorial voice, print authority, flared terminals, bracketed serifs, compact, rounded joins, engraved feel.


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A compact serif with sturdy, weighty strokes and subtly flared terminals that broaden into the serifs. The letterforms show bracketed serifs, softened corners, and gently rounded joins that keep the heavy color from feeling rigid. Curves are full and controlled (not overly delicate), counters are moderately open, and the overall rhythm is tight with a strong vertical emphasis. Numerals and capitals read as solid and steady, with a slightly old-style, carved quality in the stroke endings rather than sharp hairlines.

Well suited for headlines and subheads where a strong, traditional serif voice is needed, as well as editorial design and book-cover titling. It can also support branding that aims for heritage, credibility, or institutional gravitas, particularly in short to medium-length settings.

The tone is traditional and confident, leaning toward an archival or bookish character. Its dense color and classical detailing suggest formality and authority, with a hint of vintage print—more institutional and editorial than playful.

The design appears intended to deliver a classic serif presence with extra weight and compact proportions, using flared stroke endings and bracketed serifs to add refinement without relying on delicate contrast. The goal seems to be a dependable, attention-holding display serif that evokes traditional print and signage conventions.

In text, the face maintains a consistent dark texture and holds together well at display sizes, where the flared endings and bracketed serifs become a defining feature. The shapes avoid extreme contrast, so the design reads as robust and practical while still feeling distinctly serifed and crafted.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸