Sans Normal Arram 5 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'BR Nebula' by Brink, 'Matt' and 'Nexa' by Fontfabric, and 'Creata' by Ivan Petrov (names referenced only for comparison).
Keywords: ui text, body copy, editorial, branding, signage, modern, neutral, clean, friendly, functional, clarity, versatility, neutrality, contemporary tone, systematic design, geometric, rounded, open counters, even rhythm, crisp terminals.
A clean sans with a largely geometric construction and smooth, circular bowls. Strokes are even and steady, with minimal contrast and predominantly straight, crisp terminals. Curves are generous and consistent (notably in C/G/O/Q), while verticals and horizontals keep the texture calm and regular. The lowercase shows single-storey forms (a, g) and open apertures, contributing to a straightforward, contemporary reading pattern. Spacing appears balanced and unforced, producing an even, uncluttered typographic color in text.
This font suits UI and product text where clarity and consistency matter, and it holds up well in general-purpose body copy due to its open shapes and even rhythm. Its restrained, contemporary character also fits understated branding systems, wayfinding and signage, and clean editorial layouts where a neutral sans is desired.
The overall tone is modern and neutral with a mildly friendly feel from its rounded forms and open counters. It reads as practical and approachable rather than expressive, lending a calm, contemporary voice to interfaces and everyday communication.
The design intention appears to prioritize legibility and visual neutrality through geometric structure, open counters, and consistent stroke behavior. It aims to be a dependable, modern workhorse sans that stays out of the way while maintaining a contemporary, polished appearance.
Capitals are clean and geometric with simple diagonals (A, V, W, Y) and broad round shapes (D, O, Q) that stay optically stable. Numerals are clear and uncomplicated, matching the letterforms’ even stroke and rounded geometry, and the punctuation in the sample text sits plainly without drawing attention away from the message.